To Whom It May Concern


If there’s one thing I’ve learned about correspondence, it’s that the longer you let yourself go quiet, the harder it is to get the dialog going again. What do I say to break the ice? Will I sound desperate? I’ve been writing many such emails of late, and while I’m at it, I figure it’s high time I open up another correspondence left hanging for far too long – gobblin.net.

As for what Jake T. Forbes, writer of comics, has been up to, last month my Fraggle Rock backup story, “Boober and the Ghastly Stain,” was released by Archaia. Artist Mark Simmons and I talked to the Tough Pigs about it here. Other than that, there are a couple of projects rapidly moving forward that I hope to be able to talk about soon, but that’s a post for another day.

Mostly of late, it’s the day job that’s been occupying my time. After a year of working from home and cafes, for the past four months I’ve been working full time in an office, and you know what? Overall, I’m a lot happier for it. It helps that I get to work with a great bunch of people on projects where I can experiment creatively while learning new technical skills. (And perhaps most importantly, being in an office again has pulled me back from the brink of becoming an Oatmeal punchline).

What else have I been up to? Here, in no particular order, are the five things that have given my brain the most pleasure since last I wrote:

Comics Division: Dungeon

I mentioned Trondheim & Sfar’s Dungeon in passing on gobblin before, but I just recently caught up with the last two translated volumes of this series and was reminded of why it’s my favorite comic in the world right now. At first glance, Dungeon is a D&D parody with funny animals and deadpan French humor, but it’s the series’ humanity that is its greatest asset. Dungeon gave me a newfound appreciation for anthropomorphic comics, as the complicated friendships and awkward romances are made all the more universal when played out between ducks, dragons, cats and serpents. Plus, the rotating cast of artists are consistently amazing.  I can’t recommend the series enough! (So long as you aren’t offended by the occasional non-explicit sex scene and frank adult talk).

Music Division: STRFKR

My wife got me into this naughtily named Portland band last year. Their new album, Reptilian, doesn’t officially debut until next month, but if you preorder from the label, you can download it now. Here’s a sample:

Book Division: The Hunger Games

Probably the most unputdownable books I’ve ever read. What an amazing premise and cast, and the way Collins tells the story – in the first-person, present-tesnse – incredible! And that ending – I don’t care what the haters say, Mockingjay was a perfect ending for the series. I’m lucky in that I was able to read all three books with only minor wait time between volumes (stupid library wait list); can’t imagine how painful the wait would have been for those who have been reading each book as it came out.

Gaming Division: Agricola

Agricola is an $80 board game about farming, in which you can have babies, eat horses and where a corn scoop can make all the difference. It’s also the most addicting Euro board game I’ve ever played, and one of the few that’s as fun with 2 players as with 4. The sheer number of cards and pieces is overwhelming at first glance, but the core game mechanics of growing your family to take more turns and having to plan for the harvests are such a great fusion of fiction and gameplay that I’ve found people pick it up pretty quickly. If you like board games and haven’t tried anything new since Settlers of Cattan or Ticket to Ride, then do yourself a favor and seek out Agricola!

TV Division: I, Claudius

My dad introduced me to the 1976 BBC production of Robert Graves’ novel when reruns turned up on Masterpiece Theater in my youth, then I watched it again during Latin class in high school. Watching it again on DVD, I’m amazed by how well it holds up. Most modern depictions of Rome emphasize soldiers and gladiators. For daily life, no one’s captured Rome better than this. Great sets, great writing and great Shakespearean acting. It’s got a sexy young Patrick-Stewart in it, plus a wacko John Hurt, but my favorite performance is Brian Blessed’s Augustus, who is in turns a loveable teddy bear and a terrifying monomaniac.

750 words and counting. That wasn’t so hard, was it? I’ve got a lot of writing ahead of me in the coming months. In the past, posting here helped me keep the momentum going. Here’s hoping the trick still works. Wish me luck!

Posted in Life, etc., Music, Reading | 11 Comments

Introducing “Parnassus Unbound”

“Parnassus Unbound” is the first original piece of fiction that I’m publishing here on gobblin.net. Ostensibly, it’s a story of the future, but the topic — the relationship between readers, writers and technology — is very much an issue for today.

I’m releasing the book under a Creative Commons license, so I encourage anyone to share the story, so long as credit is given. In the next few days, I’ll have pdf and text files up for those who would rather download than read online.

The cover and interstitial art is by the talented Terry Blas (artist of the webcomic Briar Hollow). Thank you so much!

The bookending segments are loosely inspired by Christopher Morley’s classic bibliophile novel The Haunted Bookshop (which is in the public domain and you can read here). His stories are a little twee at times, but man is Morley quotable when it comes to books and reading.

I hope you’ll enjoy reading the story as much as I enjoyed writing it. Please feel free to share your comments or suggestions in the comments here, or privately at jakeforbes [at] gmail [.] com.

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“Parnassus Unbound”

Parnassus Unbound

By Jake T. Forbes

Illustrations by Terry Blas

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Observations from the Donation Center

It’s been six months since I started volunteering at the Friends of the San Francisco Library and I have to say it’s the most fun I’ve ever had not getting paid to work.

Most days, I help out at the donations center where all of the donated books get processed. At one end of the spectrum, we receive the odd antiquarian book, truly rare first edition or books of historical significance that can fetch hundreds or thousands of dollars in the collectors market. At the other end are the musty and mottled textbooks that no used bookstore in their right mind would pay money for, but the Friend of the Library accepts and will attempt to get a buck or two for. The vast majority of books fall somewhere in the middle – reading copies of books that may or may not be in fashion.

The reality of the situation is, as most used book retailers know, that the number of readers out there is a fairly static number (and as ebooks continue to make inroads as the format of choice, print book readership will surely shrink), but every year, tens of thousands of new books get added to the slush pile. Some are destined to become perennials, but most have a very limited shelf life. The result: the percentage of printed books in circulation that are in demand grows smaller every year.

It’s been about 10 years since I last worked in a used bookstore (see my elegy to the now defunct bookstore in question). Much of my volunteer work at the FotL is just like the old days of used book retail: You receive books, process them to separate the wheat from the chaff, file and price. The main difference is that whereas the relatively large used bookstore I used to work at processed a few thousand books a month, the San Francisco Friend of the Library processes over ten thousand books A WEEK. In my 8 hours or so a week that I help out, I get to look at maybe 10% of those books, but even that sliver offers an incredible window into a hundred plus years of book history.

It’s a true joy to see how cover designs evolve over the years, or watch bestselling authors disappear for decades, only to reemerge in the latest format with a new push. Old books expose the prejudices and manias of the past, which can make for a good laugh or a moment of shame (or both). I get a little thrill every time I come upon a book twice my age that looks just like new — how does that happen? It can be uplifting to flip through ramshackle artbooks and see gorgeous prints that will make wonderful wall hangings for a future buyer, and a little depressing to see hundreds of consumer software guides for the Windows 95 operating system that are destined to be pulped.

Of all my observations these six months past, nothing is more striking than the ascendency of the thriller. Back when I was a teenage bookstore clerk, we had a whole separate building dedicated to “popular fiction,” which included mass-market authors like Tom Clancy, John Grisham and Danielle Steele. We had a mystery section for your Agatha Christies and Tony Hillermans. What’s changed since is that that lined has blurred to insignificance. EVERYBODY is writing thrillers, usually with a recurring lead character. Authors like Michener, Uris and Sheldon have disappeared, with their contemporary counterparts either skewing highbrow in presentation or jumping on the procedural bandwagon. Increasingly fantasy has started to edge in that direction (or, perhaps its more accurate to say that procedural readers are more open to vampires and magic). None of this is really news, but it really is striking when you see how sharply mass-market fiction has changed in just over a decade.

Finally, processing used books can be a melancholy affair. Book people tend to be collectors, so it shouldn’t come as much of a surprise that many donations come from estates when a reader passes away and leaves behind a lifetime of books. Opening boxes of donations, or even more so, picking up books on site, can be an incredibly intimate experience. One part of my brain is figuring out how to categorize a stack of books while the other half wonders what sort of person would have amassed this particular arrangement. Did they purchase these books themselves as eager readers, or were they gifts? Did the original owner actually read the books or were they mostly for show? Some day (not soon, I hope!) when someone unpacks my collection of books, what will they think?

Posted in Essays, Life, etc., Reading | Tagged | 5 Comments

New Look, New Lease

Labor Day weekend — summer’s last fling and the perfect time for BBQs, the company of friends, walks in the park, and website redesigns.

The Great Gobblin Remodeling of 2010 is pretty much done. I’m still having a few issues with the new template, but overall I’m pretty happy with the look and functionality — pardon the dust. Now it’s time to get back into the habit of writing and sharing.

A very hearty thanks to Jeff Stokely for creating the new gobblin banner. Jeff is an amazingly talented artist who was picked to illustrate the lead story in the very first issue of Fraggle Rock. I can’t wait to see where his work shows up next.

One other site change of note – I’m using a Creative Commons license for my writing here. Why? Right now it doesn’t matter much, but soon I’ll be putting up some short fiction and I would love for the stories to be shared by anyone who feels inclined to do so. (That said, even though I’m fine with my original stories and essays being shared, that does not include Return to Labyrinth, which is always © the Jim Henson Company).

In other news, I just started a new contract gig which is always exciting when you’re a ronin writer. I’m really excited by the project and will hopefully be able to talk about it soon.

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Not Dead Yet!

I know I’m a bit behind on the promised site relaunch, but it’s almost ready. A good labor day project, yes? The new banner art is almost ready, and I’m so excited to share it. No more free wordpress templets with Jareth slapped on top, nosiree. It’s time to class this joint up, from the banner down.  New fiction, comics and commentary are coming soon. Stay tuned!

Posted in Site Updates | 4 Comments

Goblinology 4: The Quest for Peas

Here you are, patient readers – the final goblinology reports from the 38 fabulous entries I received last week. Once again, I wish I could have sent everyone who entered a signed book, but alas, as I’m sure my peers in the goblinology trade know, to dedicate one’s life to the cataloging of goblins (or Faeries, if you’ve got the stomach for the vermin) is to embrace a life of modest means. The satisfaction of a job well done is all we ask! Well, that and the occasional flask of owl wine.

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Posted in Contests, Return to Labyrinth | 6 Comments

Goblinologists 3D: A 2D Experience

It’s time for a fresh batch of Goblinology results. In case you mentioned the previous installments, here is the initial challenge, here are the top-five and here is the first bunch of runners up. Once again, I’m tickled by the talent on display by these amateur goblinologists. Distilling a creature’s name and history from a single picture is no small task, but these entries have done just that, each with its own unique flair.

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Posted in Contests, Return to Labyrinth | 5 Comments

What’s Next?

Now that the fourth volume of Return to Labyrinth is out in the world, bringing the series to an end, you might be wondering what’s next for the series and for gobblin.net.

I’ll start with Return to Labyrinth, as that’s the easiest question to answer. With volume 4, the series is concluded. There definitely won’t be a volume 5. Whether or not there will be a continuation of any stories established here is entirely up to the Jim Henson Company. So is that it, then? Nothing more to say on the books? Not exactly.

If it were up to me, I’d love to see the books bound up in a 1 volume edition. After all, it’s a lot easier to keep it in stock at stores and libraries if there’s only one book to keep track of instead of 4 sequential volumes. In the event that that happens, I would love an opportunity to add back in a few “deleted scenes,” such as the musical number with the Tessellation Lizards, the “Second Door” from the penultimate chapter of volume 4, and the afore mentioned croquet scene that better established Moulin and Drumlin early on. I’ve got a stack of errors that slipped through, such as switched dialog balloons, sloppy sentences, inconsistencies, and a few oddball things like Sarah’s hair mysteriously going white in vol. 4 (if you were confused by that, I can assure you, I was too!) Maybe see about a new piece of cover art or other color illustrations too.

Will that happen? I don’t know. But I’ll keep you posted.

Now onto the website. For the past 3 years, I’ve run gobblin.net mostly as a Return to Labyrinth community site. I’m extremely grateful to everyone who’s visited, engaged, and contributed to some great discussions. Absolutely, I intend to keep blogging here, but Labyrinth will become less and less of a focus.

I’m also going to remove the discussion pages when I revamp the site. I’ll keep commenting until that day, and I’ll try to answer any specific questions that people might have. Why remove those pages? Quite simply, the Labyrinth universe belongs to the Jim Henson Company, and its fans. I consider myself one of the latter, and I did my services for the former, but the intersection of those roles is at an end. For the last three volumes, I’ve been sort of a one-man marketing machine on this series, on my own time and dime, because I believe in it and because I genuinely love to talk about Labyrinth with fellow fans of the film (even if sometimes we disagree in our interpretations). With this series wrapping up, I think it’s time to hang up my hat as a Labyrinth community manager and focus on talking about new stories.

I sincerely hope that Return to Labyrinth will spark discussion for years to come around the web. If you’re looking for a place to post your reviews, I encourage you to use amazon.com and goodreads. And if you have any questions about the books, you’re always welcome to email me at jakeforbes [at]  gmail [dot] com. I’ll still post about Labyrinth when it’s relevant, and I hope you’ll continue to share your thoughts in the comments. As I’ve mentioned in the past, the only thing I personally consider “canon” in the Labyrinth world is the movie itself, with the novelization, art books and the manga series I wrote being part of an “expanded universe” to take as you will. That said, I’ll be thrilled if I come upon fan-fics or art featuring Moppet, Moulin, Skub or other characters that I had a part in creating. Whatever you take away from Return to Labyrinth, I hope you can enjoy it on its own terms without letting it detract from your own dreams.

So, for a few more days at least, business as usual. Just don’t be surprised if you come back to gobblin.net sometime next week and find Jareth missing from the banner. He and the rest of the Labyrinth gang will be in the archives… should you need them.

Posted in Site Updates | 21 Comments

Fraggles & Pirates: Self-Promotion Link-Blogging

Fellow Fraggle writer Adrianne Ambrose, who wrote two stories in the first Fraggle Rock comics run, interviews me about Labyrinth, Fraggles and life at her blog. I hope you’ll check it out.

Meanwhile, at About.com’s manga page, Deb Aoki transcribes the Digital Piracy panel from San Diego Comic-Con at which I was one of 4 panelists. I think it was a great discussion and if you’re at all interested on the future of comics/manga on digital platforms, it’s definitely worth a read. It’s so long that she had to break it into part 1 here, and part 2 here. (It’s also your chance to see pictures of me slouching!)

Next week I’ll have another guest writer piece at a major blog that fans of Labyrinth and Return to Labyrinth won’t want to miss. Now it’s time for me to set up that volume 4 discussion page, eh?

Posted in Author Doings, Soap Box, Writing | Tagged , , | 3 Comments